Monday, 1 September 2014

Quick daily sketch

A quick self portrait of how all of my friends and family see me. I'd say my time is 50% photos 30% drawing 15% eating and 5% netflixs 

Monday, 26 May 2014

How to understand your CG animator - Tips and Tricks

A while ago I wrote a post about '20 reasons it's hard to live with an animator' .
So for those people that ignored the last list an are now living with an animator  or who have an animator friend/family member here is your crash course in 'How to understand a CG animator' :

. Keys - You are checking if your animator has locked up your house to safe guard the valuable items inside (mainly the most expensive stack of books you have ever seen)
They are thinking of the important poses their latest work will be using.

Tip: always lock up yourself

. Crunch - You are asking them to pick up your favourite cereal or chocolate bar from the shop.
They have gone into a mini coma thinking about the last deadline month they faced in work. Crunch time!

Tip: if your animator suffers from PTC disorder (post traumatic crunch disorder) be understanding. During an attack cover them with a blanket to keep them warm and feed them biscuits until the memories fade

Anticipation: You are talking about the excitement of an up coming event.
They are working out the intricate moments before you throw a ball.

Tip: never say you are anticipating a baseball match . They will make you watch goofy throw a baseball frame by frame. Ahh that baseball throw!

You hear 'Saturday, Sunday'
They may not be familiar with the term.

Overlap: you are talking about your own busy schedule and the overlapping events you have coming up.
They will just be moving they're arms and staring at their sleeves.

Tip: hide all Newtons cradles and tie long hair up before you plan your week with them.

Blocking: you might be talking about the idiot who blocked in your car in the car park.
They will just be doing the robot in the corner.
Tip: to break the spell shout 'spline'

Maya/ Max:
You mention a friend with these names in passing. To which your animator flips over the table in front of you, screams expletives and sits mumbling and shaking in the corner.
They hear the computer program that has a personal vendetta against them.
Tip: If you happen to have a friend with either of these names
a. Give them a nickname
B. Never leave them alone together as your animator will punch/cry/glare at them until you return.

You may like disney films
They Love them with their very being.
Tip: unless you are prepared to know what the '9 old men' means, who they are , what their hobbies were and their shoe sizes it's best to just keep quiet.

You hear a delightful beverage
They here 'lifeblood'
Tip: have a supply in the vicinity at all times

You are talking about your hand and your general nail area.
They are instantly drawing on any object at hand. Be warned they may use your arms if a piece of scrap paper/wall/ envelope isn't at hand

Tip: carry a sketch book to occupy them . Hide all sharpies.

You may be talking about the strength of the sun today.
They will be looking at the seams on all of your clothes and disassembling all boxes within their reach to study the construction.
Tip: just buy the strongest uv protection and put it on them. They probably don't get out much.

Tuesday, 29 April 2014

Animating Larry David

Here in Korea it is exam season which means one thing for me…..ANIMATING TIME. I try to squeeze some animation in every week but the exams mean I have endless days to sit and animate.
This week I am returning to the first voice clip I ever animated. It is from the genius that is Larry David and it’s a great clip.
I have mentioned before about my love of animating dialog , especially clips that push emotions. This clip is a really dark comedic clip where Larry finds our his mother has died and no one told him.
The first time I animated it I didn’t know anything so I wanted to return to it, try and do a better job and see what I’ve learnt along the way.

We always get told that the first step when animating a clip is to get a firm idea of what is going on.
So I always start with a questionnaire.
There are lots of these online that other animators use so I try to mix it up so that I am always answering new questions about scenes. The one I used for this was from some of the animators that worked on Tangled:

Name: Larry (I don’t normally use the characters name from the live footage but I've grown attached to the idea of animating Larry for so many years that I've stuck it in here)
Age: 58
Occupation: Banker on Wall street
Personality Traits: Lives in his own mind.
Trait we want to be but forward: Confusion
What character discovers: He finds out that his mum has unexpectedly died.
Genre of the scene: Dark Comedy
What is driving character in the scene: Larry needs to understand what’s happened.
How the audience see’s his character: Larry is in the dark
Who is creating problems in the scene: Larry’s father.
What do you want the audience to do while watching this scene: Laugh

I also create a script and a thought script. This is literally what the character is thinking.
Before the scene thought process:

She is dead? No it can’t be….I talked to her just last week…

Larry: When…when did she die?
She can’t be dead.

Father: Let’s see the funeral was on Monday…
Maybe he’s wrong about this…..what did he say?

Larry: The What?...funeral? …Why wasn’t I……I’m not at the funeral , what do you mean Monday was the funeral?
She can’t have had her funeral… I have been gone a week….what is he on about?

Father: Monday was the funeral…..
What is he saying!!

Larry: Well why wasn't I at the funeral , why didn't you call me?
Why the hell didn't he call me!

Father: She told me not to bother you…
There is no reason he can possibly give me..

Larry: She told me not to bother me…what , what is that suppose to mean?
He’s a fricking idiot…this is insane…I will kill him!

Father: You were in New York, you were busy?
I can’t believe this is happening.

Larry: So what …. So what do you mean I was busy? You give me a call , you….you didn’t call me? You didn’t call me to tell me my mother died???
NO one is too busy for a funeral. NO ONE. I can’t believe….call me you idiot. She’s dead.

The next step is filming reference. I am not very good at this. I act too female but luckily this character is very Woody Allen-ish and has his power center in his head so my many hand actions apply here.
I filmed it about 4 times and then cut together two scenes that I liked.
From this I then make very rough thumbs. I’m not a 2d artist but this helps me just to help me with lines of action and the shoulder and hips. They aren’t pretty but I have always been adviced to do it.
Once I have all of these stages finished, I start animating.
I love blocking. I love it!
Blocking is the stage I adore.
So I set up cameras and then I do a very basic key pose block. Just the most important poses so that I know these are the poses to hit.
I am currently on my 3rd pass of blocking which is when I block every 3rd frame of the important movements.
I am going to do two more blocking passes so that the whole animation is on 3’s before I go to polish stage.
Wish me luck…
Animated hugs x

Tuesday, 1 April 2014

Fan Art Disney Style

Disney fan art isn't something I find time to do normally but I have a few students who wanted drawings as prizes so here is some art I've been using to practice. I am just copying the original beautiful art though obviously ! 

Thursday, 27 March 2014

Judge a book by its cover

Never under estimate the power of a good sketch book. 
The time was upon me when I needed to buy my new sketch book and since I was in Korea, the land of cuteness and invocation I thought I would have no problem. When it comes to seats in a restaurant, I'll sit anywhere, put it in front of me and I'll eat it but unfortunately when It comes to choosing a sketch book I am fussier than a Persian cat on a 5 star cruise.
It needs to be exactly right which means a lot of searching but in the end ultimate satisfaction. Before I rant about why these tiny needs are important let me explain what they are:
. Size: a5 perfect size to fit in any bag I may carry and the right size for coffee tables/airplane seats/laps
. Not hard back but not soft back. It needs to feel slightly weighted so I have a hard surface to lean on but it still needs to be able to bend as I get into weird positions when I draw.
. Thickish slick paper, not recycled paper that feels like leaves (sorry world) and not bumpy like water colour paper.
. Quite chunky - I like the book to be just under an inch in thickness if possible as I don't want to go through it in a week.
. Quirky if possible. Obviously it's what's inside that counts , don't judge a book.... And all those life lessons but I am an artist and I do like an element of my personality on the cover if possible. I could add it myself but then we have the pressure put in a design. I realise that the fact I have tattoos but can't commit to drawing on a sketch cover is a psychologist dream but I'm just odd like that.

So anyway those are my factors so you can imagine I search for quite a while before the perfect book is found. This time it was about  two months.
'Thats crazy' you might say and I'd be inclined to agree with you except that when the perfect book is put in front of me, when I've written my name on the inside cover like a geeky school girl and I've got pages upon pages of what could be beautiful art, it's all worth it.
I'm not a 2D-ear by nature . I love drawing but I'm a cg animator so finding a sketch book that inspires me to think I can achieve something instead of excepting defeat, it makes these pre- carpal tunnel wrists very happy.

So far the new sketch book is turning out better than expected. I got over the first page fear and have drawn more than a few times every day. It's nothing special but it was enough to inspire.

Now let's get drawing!

What inspires you to be creative. Any mind games you play on yourself that you'd like to share?  Good luck and happy sketching  x